American contralto Emily Marvosh has been gaining recognition for her “sterling voice” and “graceful allure,” on the stages of Carnegie Hall, Jordan Hall, Disney Hall, Lincoln Center, Prague’s Smetana Hall, and Vienna’s Stefansdom. Following her solo debut at Boston’s Symphony Hall in 2011, she has been a frequent soloist with the Handel and Haydn Society. Other recent solo appearances include the American Bach Soloists (Messiah), Charlotte Symphony (Messiah), Tucson Symphony Orchestra (Mahler’s 3rd Symphony), Chorus Pro Musica (Stravinsky’s Les Noces), Music Worcester (Beethoven’s Ninth Symphony), L’academie (Vivaldi’s Nisi Dominus), Back Bay Chorale (Bach Magnificat), and the Boston Early Music Festival Fringe. Awards include the prestigious Adams Fellowship at the Carmel Bach Festival (2013) and the American Prize in the Oratorio and Art Song divisions (2013).  She is a founding member of the Lorelei Ensemble, which promotes innovative new music for women. With Lorelei, she has enjoyed collaborations with composer David Lang, the Boston Modern Orchestra Project, and the Boston Symphony Orchestra.Recent ensemble appearances include the Oregon Bach Festival under the direction of Helmut Rilling, the Bachakademie Stuttgart, Portland Baroque Orchestra, True Concord Voices and Orchestra, Boston Camerata, the Skylark Chamber Ensemble, the Yale Choral Artists, and Cambridge Concentus. Miss Marvosh can be heard on two recent GRAMMY-nominated recordings: Brahms’s Ein Deutsches Requiem with Seraphic Fire, and Prayers and Remembrances with True Concord Voices and Orchestra. She holds degrees from Central Michigan University and Boston University.